Director Richard Linklater’s latest film, Hit Man, has received mixed reviews, with many critics finding it generic and unsatisfying. The film follows the story of Gary Johnston, a man who takes on a new identity as a hit man after meeting a woman named Madison. The movie opens with a Nietzsche quote about living dangerously, setting the tone for Gary’s transformation throughout the film.
Initially, Hit Man appears to be a goofy comedy about a man in wigs catching bad guys, but it quickly takes a darker turn as Gary becomes involved with Madison. As their relationship develops, it becomes clear that Madison may be manipulating Gary for her own gain. However, the film never fully commits to this film noir storyline, leaving viewers questioning the direction of the plot.
As the story progresses, Gary and Madison become entangled in a series of events that lead to murder and blackmail. Despite the classic film noir setup, the movie takes an unexpected turn with a surprisingly happy ending. The lack of consequences for the characters’ actions undermines the tension built throughout the film and leaves a sense of dissatisfaction among the audience.
The performances by Glen Powell and Adria Arjona are praised for their chemistry, but the film’s thin script and lackluster execution prevent their talents from shining. Linklater, known for films like “Dazed and Confused” and “School of Rock,” fails to deliver a compelling narrative in Hit Man, despite its high critic and audience scores on Rotten Tomatoes.
The film’s attempt to explore Nietzschean themes of identity and morality falls flat in the end, as the characters’ actions do not align with the philosophical concepts introduced at the beginning. Hit Man ultimately fails to deliver a satisfying conclusion, leaving viewers disappointed with its lackluster plot and unsatisfying resolution.
While loosely based on a true story, Hit Man takes many liberties with its plot, resulting in a disjointed and unconvincing narrative. The film’s attempts to blend comedy, romance, and crime elements result in a confusing and unsatisfying viewing experience. Overall, Hit Man is a missed opportunity for Linklater to explore deeper themes and create a more engaging and impactful story.
