Peloton has paused the use of music recorded by Sean “Diddy” Combs on its workout class platform in response to a member of a private Facebook group for Peloton users. The company also removed the Bad Boy Entertainment Artist Series, which included classes and workouts using music from Combs’ record label. While it did not indicate that it was removing music from past classes, Peloton stated that its instructors would no longer use Combs’ music in newly produced classes.
In response to the release of hotel surveillance video from 2016 showing Combs engaging in physical violence towards his then-girlfriend, Cassie Ventura, Combs issued a video statement on Instagram taking full responsibility for his actions and admitting that his behavior in the video was inexcusable. These actions were in contrast to his previous denial of the allegations made by Ventura in a lawsuit filed in November, where she accused him of rape and years of abuse. Combs also faced several other civil lawsuits accusing him of various forms of sexual misconduct and illegal activity.
Peloton had previously paused playing Kanye West’s music from its streaming workout classes in 2022 after he made antisemitic comments. Concerned members were informed that instructors would no longer use West’s music in newly produced classes and that previously produced workout classes using his music were not being recommended on Peloton’s hardware or app. This decision was made by Peloton after West’s remarks drew backlash and criticism.
It remains unclear whether Peloton’s decision to pause the use of music by Combs and West is permanent or temporary. The company has not provided further comment on these specific actions. The decision to cease using music by these artists on Peloton’s platform highlights the company’s commitment to addressing controversy and ensuring a positive experience for its members.
The removal of music by Combs and West from Peloton’s platform may have implications for the user experience and the content available in workout classes. Members who were fans of classes featuring music from these artists may be disappointed by the change, while others may appreciate Peloton’s responsiveness to concerns about problematic behavior exhibited by public figures.
As Peloton continues to navigate the complex landscape of music licensing and artist partnerships, it faces challenges in balancing the use of popular music with considerations of artist behavior and public perception. The company’s response to controversies involving artists like Combs and West reflects its commitment to maintaining a socially responsible and inclusive platform for its diverse user base. By pausing the use of music by these artists, Peloton is taking proactive steps to address issues of accountability and ethical considerations in its content offerings.
