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In recent years, Islamabad has seen the emergence of street performers, known as the “golden men,” who captivate passersby with their striking gold paint and statuesque poses. However, in a country where suspicion of the intelligence services runs deep, these performers have become the subject of various conspiracy theories. Many people believe that the golden men could be informants for the intelligence agency, lookouts for politicians, or even spies for foreign entities like the C.I.A.

Conspiracy theories are pervasive in Pakistan, fueled by a history of palace intrigue and the mythologies surrounding the military and intelligence agencies. Wild tales often take root after significant events, with some even suggesting that natural disasters and high-profile crimes are orchestrated by external forces. The ease with which these conspiracy theories spread reflects the pervasive sense of mistrust in the government and intelligence services.

The suspicions extend beyond the realm of street performers, with ordinary citizens also feeling like they are constantly being surveilled by intelligence agents. People speak in coded language and take extra precautions in their daily lives to avoid being monitored. The perceived omnipresence of the intelligence agencies has led to a climate of fear and suspicion among the population.

For many Pakistanis, the idea of being watched and monitored by the intelligence services has become increasingly intolerable, especially as frustrations with military interference in politics have grown. The sense of paranoia and distrust has escalated in recent years, causing people to question their safety and privacy in their own homes and communities.

The golden men of Islamabad, like Mustaq Ahmed, have become symbols of this larger culture of suspicion and surveillance. While some performers may view their act as a way to earn a living, others see them as potential agents of the state. The blurred lines between performance art and espionage underscore the pervasive atmosphere of mistrust in Pakistani society.

Ultimately, the prevalence of conspiracy theories and suspicions of being under constant surveillance reflect a broader societal issue in Pakistan. The intersection of politics, security, and everyday life has created a culture where even street performers are not exempt from being viewed through the lens of espionage and intrigue. As Pakistan continues to grapple with issues of transparency and accountability, the legacy of conspiracy theories and pervasive surveillance will remain central to the national discourse.

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