Summarize this content to 2000 words in 6 paragraphs in Arabic When Ana Hatherly died in 2015, the Portuguese visual artist, poet and academic was hailed by Artur Santos Silva, president of charity the Calouste Gulbenkian Foundation, as having had a \u201cprofound impact on her country\u2019s artistic, literary and academic life over the past six decades\u201d.It is fitting, therefore, that, almost 10 years on, she has become the inspiration for one of the most striking pieces of jewellery on display at an exhibition in Lisbon, curated by jeweller Marta Costa Reis, that is a centrepiece of celebrations across Portugal to mark the country\u2019s 50th anniversary of democracy.The Carnation Revolution of April 25 1974 involved a military coup of junior army officers that marked the end of almost five decades of authoritarian rule and paved the way for democratic elections. The name refers to the carnations handed out to the soldiers by demonstrators, as the people took to the streets to greet what turned out to be a bloodless revolution \u2014 and one that went on to change every aspect of Portuguese society.The neckpiece created in Hatherly\u2019s name is one of 60 items of contemporary jewellery created by members of the Portuguese Association of Contemporary Jewellery to honour the women who fought in different ways for democracy and democratic values. The result is an eclectic, thought-provoking and, ultimately, joyful tribute to what has been achieved politically and socially in the country. But it also stands as a warning not to take liberty for granted.Artist Ana Hatherly \u00a9 Maria Jose PallaJeweller and gallerist Ana Pina\u2019s tribute to Hatherly is one of the most eye-catching of the pieces laid out on a vast yellow circular display on the third floor of the Royal Treasure Museum. This was built as a new wing to the Ajuda National Palace, to house the country\u2019s extraordinary collection of crown jewels and other treasures of the former royal house. It is a sight not to be missed in itself \u2014 fist-sized emeralds are a notable highlight.Pina\u2019s black neckpiece consists of a series of long chains of the words \u201cluta\u201d and \u201cluto\u201d hanging from a torque. The words look handwritten and, in fact, they are \u2014 created with a 3D printing pen that uses PLA, a synthetic polymer. There are 50 words in all to mark the 50 years of democracy.Hatherly\u2019s belief in the importance of free speech ran deep \u2014 she was a founder of the Portuguese PEN Club, part of the international network of writers committed to protecting free expression \u2014 and Pina took the words \u201cluta\u201d and \u201cluto\u201d from one of Hatherly\u2019s poems, \u201cThe Black Peacock\u201d.\u201cThe poem wasn\u2019t specifically about April 25, but it had everything to do with it,\u201d says Pina. \u201cThe word \u2018luta\u2019 means \u2018fight\u2019 and \u2018luto\u2019 means \u2018I fight\u2019 and also \u2018mourning\u2019 or \u2018grief\u2019. The revolution was synonymous with freedom. But we also need to think about the lack of freedom before the revolution.\u201dMany of the pieces of jewellery on display make reference to carnations \u2014 including a delicate but bold stylised circle of carnations, made from black-coated copper by the Portugal-based Brazilian jeweller Carlos Silva.Paula Castro\u2019s delicate, understated brooch of eucalyptus bark and silver acknowledges the artist Lourdes Castro, who lived abroad for much of her artistic life and whose work, says Paula Castro (no relation), represents \u201cthe breath of freedom\u201d.One of the most poignant pieces was made by a student jeweller for her grandmothers, which consists of resin-coated carnation petals hung from lengths of white cotton thread. Simple and moving.Running alongside the Jewels for Democracy show is Contemporary Tiaras, curated by jeweller Catarina Silva. This exhibition consists of 40 headpieces made by students at Ar.Co (the Centre for Arts and Visual Communication in Lisbon) and invited artists, who include some of contemporary jewellery\u2019s finest makers.The result is an eclectic, thought-provoking and ultimately joyful tribute to what has been achieved politically and sociallyMost of the tiaras are displayed in showcases that run around the outside wall of the vast vault that sits in the centre of the Royal Treasure Museum.The vault, with its five-tonne steel doors, has a beautiful outer casing of gold-coated aluminium with the open texture of a honeycomb. Some of the contemporary tiaras, many of which represent an irreverent challenge to the museum\u2019s traditional jewels, have been given a place alongside them in the vault\u2019s inner sanctum.There are some startling contrasts in this display. For example, there is a chrome tiara and helmet made in 2002 by Ted Noten, the Dutch conceptual artist, envisaged as a protective headpiece for M\u00e1xima Zorreguieta, to celebrate her wedding when she became crown princess (now queen consort) of the Netherlands.Then, there are gentler works that embrace the beauty and decorative idea of the tiara, most notably the brass Opium Poppy Crown by Christopher Thompson Royds and Lin Cheung\u2019s Pearl Thing \u2014 Halo, which is made of large freshwater pearls and, giving it a touch of harshness, hangs on a heavy steel nail.There is plenty of visual playfulness on show. David Bielander repurposes his remarkable ability to make silver and white gold look like pieces of corrugated cardboard stapled together, with his tiara of hearts. Xinyi Chen provides a dramatic futuristic Chinese Phoenix coronet, made from e-waste as well as discarded fruit packaging, leather, fabric, and polyethylene. And Manuela Sousa\u2019s tiara consists of prettily assembled large pink plastic hair rollers \u2014 a nod to a bygone era on many levels.Both exhibitions form part of the 2nd Lisbon Contemporary Jewellery Biennial, entitled Madrugada, which means \u201cdawn\u201d, with a programme of events that continue until June.\u2018Jewels for Democracy\u2019 and \u2018Contemporary Tiaras\u2019 run until June 30 at the Royal Treasure Museum, Cal\u00e7ada da Ajuda, Lisbon<\/p>\n","protected":false},"excerpt":{"rendered":"
Summarize this content to 2000 words in 6 paragraphs in Arabic When Ana Hatherly died in 2015, the Portuguese visual artist, poet and academic was hailed by Artur Santos Silva, president of charity the Calouste Gulbenkian Foundation, as having had a \u201cprofound impact on her country\u2019s artistic, literary and academic life over the past six<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":{"0":"post-56839","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-culture"},"_links":{"self":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/56839","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/comments?post=56839"}],"version-history":[{"count":1,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/56839\/revisions"}],"predecessor-version":[{"id":56840,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/56839\/revisions\/56840"}],"wp:attachment":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media?parent=56839"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/categories?post=56839"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/tags?post=56839"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}