{"id":266914,"date":"2025-04-07T15:54:55","date_gmt":"2025-04-07T15:54:55","guid":{"rendered":"https:\/\/globetimeline.com\/ar\/culture\/rewrite-this-title-in-arabic-jab-park-theatre-review-anti-vax-drama-only-goes-skin-deep\/"},"modified":"2025-04-07T15:54:57","modified_gmt":"2025-04-07T15:54:57","slug":"rewrite-this-title-in-arabic-jab-park-theatre-review-anti-vax-drama-only-goes-skin-deep","status":"publish","type":"post","link":"https:\/\/globetimeline.com\/ar\/culture\/rewrite-this-title-in-arabic-jab-park-theatre-review-anti-vax-drama-only-goes-skin-deep\/","title":{"rendered":"rewrite this title in Arabic Jab, Park Theatre review \u2014 anti-vax drama only goes skin deep"},"content":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.Where were you five years ago? The chances are you can answer that without thinking. Huge numbers of us were at home, dealing with a world that had suddenly shrunk to four walls and a daily walk. Others, of course, were on the front line, tackling an invisible and unpredictable enemy.James McDermott\u2019s play plunges us back into the Covid-19 lockdown period, tracing the experience of one British couple in their late fifties, Anne and Don. When we first meet them, it\u2019s March 2020 and they are staring in disbelief at their television set as UK prime minister Boris Johnson lays out the new rules of social conduct. Soon they have slotted into a new routine: she, as an NHS administrator, is working from home; he, as the proprietor of a vintage shop, finds himself with time on his hands.In a string of very short scenes, McDermott traces a path familiar to many \u2014 applying for furlough payments, getting to grips with online meetings, dodgy self-administered haircuts, the row over the infamous drive to Barnard Castle \u201cto test his eyesight\u201d by government adviser Dominic Cummings.But, as the weeks turn into months, McDermott also weaves in the grim rising tally of deaths and many of the other dark issues of the period: increased drinking, domestic violence, the strain on mental health, the anxious conversations with sick relatives via phone, and vaccine hesitancy. Annie, being a health worker, urges Don to get jabbed when he is called up; he refuses. Then he gets Covid.The play offers a pithy, accurate reminder of the progress of the pandemic and its impact on ordinary people. It\u2019s very well delivered by Kacey Ainsworth and Liam Tobin in Scott Le Crass\u2019s production, deftly tracking the shifting nature of their relationship as confinement reveals how far apart they have grown. The banter gives way to bickering, the bickering to something much uglier. \u00a0But at 75 minutes, it feels pretty skimpy, skating across many huge issues without examining any of them in real complexity and depth. Perhaps the most surprising of these, given the play\u2019s title, is Don\u2019s anti-vax attitude, which basically amounts to the sort of comments you might encounter online. Given how hot the topic is in the US again now, and given the vast and difficult problem of online conspiracies and contested truths, this could have been a really meaty subject to explore. In the end, the play reminds us of what that period felt like, and of the social and moral issues it exposed, without digging into the enduring significance of those problems.\u2605\u2605\u2605\u2606\u2606To April 26, parktheatre.co.uk<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.Where were you five years ago? The chances are you can answer that without thinking. Huge numbers of us were at home, dealing with a world<\/p>\n","protected":false},"author":1,"featured_media":266915,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":{"0":"post-266914","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture"},"_links":{"self":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/266914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/comments?post=266914"}],"version-history":[{"count":1,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/266914\/revisions"}],"predecessor-version":[{"id":266916,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/266914\/revisions\/266916"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media\/266915"}],"wp:attachment":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media?parent=266914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/categories?post=266914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/tags?post=266914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}