{"id":264276,"date":"2025-04-05T07:50:26","date_gmt":"2025-04-05T07:50:26","guid":{"rendered":"https:\/\/globetimeline.com\/ar\/culture\/rewrite-this-title-in-arabic-black-country-new-road-forever-howlong-album-review-slippery-and-inventive\/"},"modified":"2025-04-05T07:50:27","modified_gmt":"2025-04-05T07:50:27","slug":"rewrite-this-title-in-arabic-black-country-new-road-forever-howlong-album-review-slippery-and-inventive","status":"publish","type":"post","link":"https:\/\/globetimeline.com\/ar\/culture\/rewrite-this-title-in-arabic-black-country-new-road-forever-howlong-album-review-slippery-and-inventive\/","title":{"rendered":"rewrite this title in Arabic Black Country, New Road: Forever Howlong album review \u2014 slippery and inventive"},"content":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.\u201cTwee\u201d is the charge levelled at Black Country, New Road by disgruntled followers of the Cambridge-formed band. True enough, the publicity photos for their new album make them look like the cast of a Wes Anderson film; and yes, their new songs feature the use of recorders and titles such as \u201cBesties\u201d. But Forever Howlong turns out to be as venturesome in its own way as its acclaimed predecessors.The album is the sextet\u2019s first studio record since former frontman Isaac Wood\u2019s abrupt departure in 2022, days before the release of their second album Ants from Up There. His mannered drawl and sardonic lyrics, threaded by unreliable narration, gave conceptual shape to the twists and turns of their music. He has been replaced by three of his ex-bandmates, who alternate lead vocals: violinist Georgia Ellery, bassist Tyler Hyde and keyboardist May Kershaw.These three female voices represent \u201ca pretty wide spectrum of womanhood,\u201d according to Hyde. In fact, their singing sounds almost indistinguishable, but the shift in tone from Wood\u2019s more antagonistic presence is marked. Announced by the zany harpsichord intro of opening track \u201cBesties\u201d, the musical arrangements bring out the antic aspect of the band\u2019s character. There are a lot of interlocking parts, as though the sixpiece \u2014 also featuring saxophonist and flautist Lewis Evans, guitarist Luke Mark and drummer Charlie Wayne \u2014 were constructing an elaborate clockwork plaything.The \u201cworld\u2019s second-best Slint tribute act\u201d, in the self-mocking description of a lyric from their 2021 debut For the First Time, is no more. Instead of brooding US post-rockers, the principal point of reference now is Joanna Newsom\u2019s baroque-pop. But the results are as slippery and inventive as their previous work.\u201cBesties\u201d uses jolly chamber-pop with an unhinged edge to tell the cleverly concocted tale of unrequited sexual desire between friends. \u201cSalem Sisters\u201d is a blackly funny vision of female outspokenness and witch-burning, surreally set at a summer barbecue. \u201cTwo Horses\u201d sweeps us into a Western-themed fantasy of tragic romantic entanglement with gripping transitions in tempo and intensity. Twee is not the word.\u2605\u2605\u2605\u2605\u2606\u2018Forever Howlong\u2019 is released by Ninja Tune<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.\u201cTwee\u201d is the charge levelled at Black Country, New Road by disgruntled followers of the Cambridge-formed band. True enough, the publicity photos for their new album<\/p>\n","protected":false},"author":1,"featured_media":264277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":{"0":"post-264276","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture"},"_links":{"self":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/264276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/comments?post=264276"}],"version-history":[{"count":1,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/264276\/revisions"}],"predecessor-version":[{"id":264278,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/264276\/revisions\/264278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media\/264277"}],"wp:attachment":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media?parent=264276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/categories?post=264276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/tags?post=264276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}