{"id":222551,"date":"2025-02-26T20:11:08","date_gmt":"2025-02-26T20:11:08","guid":{"rendered":"https:\/\/globetimeline.com\/ar\/culture\/rewrite-this-title-in-arabic-all-women-jazz-group-artemis-are-on-great-form-with-arboresque\/"},"modified":"2025-02-26T20:11:09","modified_gmt":"2025-02-26T20:11:09","slug":"rewrite-this-title-in-arabic-all-women-jazz-group-artemis-are-on-great-form-with-arboresque","status":"publish","type":"post","link":"https:\/\/globetimeline.com\/ar\/culture\/rewrite-this-title-in-arabic-all-women-jazz-group-artemis-are-on-great-form-with-arboresque\/","title":{"rendered":"rewrite this title in Arabic All-women jazz group Artemis are on great form with Arboresque"},"content":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.Renee Rosnes assembled the all-women band Artemis in 2016 for a European tour to mark International Women\u2019s Day. Nine years on, the band\u2019s third Blue Note release, Arboresque, finds Artemis stripped back to a core quintet and playing with the collective strength of an established working band. Saxophonist Nicole Glover joined Artemis for 2023\u2019s well-received second album, In Real Time, but the other members were in on the project from the start.The set begins with the prowling noirish moods of \u201cThe Smile of the Snake\u201d, written by one-time Art Blakey pianist Donald Brown and one of three covers arranged by Rosnes, the band\u2019s prime mover and a technically astute pianist. As the theme slithers over sparse double bass, Glover and trumpeter Ingrid Jensen harmonise moodily and solos sustain the theme\u2019s emotional tension. Later in the set, Rosnes\u2019s subtle arrangement and the strength of Noriko Ueda\u2019s double bass refresh the late Wayne Shorter\u2019s oft-played \u201cFootprints.\u201d Equally appealing is the lilting cover of Burt Bacharach and Hal David\u2019s waltz \u201cWhat the World Needs Now Is Love\u201d.The remaining pieces are five originals written by each member of the band. The call-and-response theme \u201cKomorebi\u201d by Ueda switches from Latin to swing; Jensen\u2019s vamp-introduced complexity \u201cSights Unseen\u201d has soloists spinning magic over nippy walking bass. The closely harmonised and bittersweet melody of Glover\u2019s \u201cPetrichor\u201d hovers above ballad tempo while Rosnes\u2019s \u201cOlive Branch\u201d sits on a samba pulse.Each piece delivers edgy dynamics and mixed emotional shades rendered through the supple sonics of the Artemis brass. Glover and Jensen\u2019s close phrasing and focused harmonies make them one of the standout brass sections currently working in jazz. And with solos flowing meaningfully as they expand in thematic material, the music continually grips.The set ends with Rosnes combining acoustic piano and Fender Rhodes on the summery \u201cLittle Cranberry\u201d, written by drummer Allison Miller. Glover\u2019s sharp articulation delivers emotional highs, Jensen a calming fade and Miller marks each move and infuses the music with joyful, open-hearted warmth.\u00a0\u2605\u2605\u2605\u2605\u2606\u2018Arboresque\u2019 is released by Blue Note<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.Renee Rosnes assembled the all-women band Artemis in 2016 for a European tour to mark International Women\u2019s Day. Nine years on, the band\u2019s third Blue Note<\/p>\n","protected":false},"author":1,"featured_media":222552,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":{"0":"post-222551","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture"},"_links":{"self":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/222551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/comments?post=222551"}],"version-history":[{"count":1,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/222551\/revisions"}],"predecessor-version":[{"id":222553,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/222551\/revisions\/222553"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media\/222552"}],"wp:attachment":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media?parent=222551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/categories?post=222551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/tags?post=222551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}