Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.The marriage of jazz and fragrance has always proven intoxicating: Nina Simone\u2019s version of \u201cMy Baby Just Cares for\u00a0Me\u201d, which underscored a 1986 advertisement for Chanel\u00a0No5, is only one of many successful unions. And when\u00a0Yves Saint Laurent launched Jazz, an aromatic, barber-shop scent, in 1988, it was a sensation. That same year, Bruce\u00a0Weber made his documentary Let\u2019s Get Lost about trumpeter Chet Baker. The current formulation of Jazz is fairly\u00a0true to the original, with notes of patchouli, lavender and\u00a0geranium, but in the gender-neutral 2020s, it has become\u00a0unisex. After all, jazz is bohemian and free, even if\u00a0it\u00a0can be an unwelcome guest at Sunday brunch.Diptyque\u2019s Orph\u00e9on is complex, a little dark and a lot sexyBasements, cocktails and trumpets make for an evocative mood board once again this year. Turnkey Beauty in California will launch an estate-endorsed Ella Fitzgerald fragrance this autumn, while Olphactory Candles continues to produce jazz-inspired candles, including Zulu Embers, which founder Brant Anderson says \u201ccreates the feeling of somewhere moody, candlelit and cosy\u201d via patchouli, smoke and leather. This month, Diptyque launches some limited-edition items in\u00a0its\u00a0Orph\u00e9on collection \u2013 a tribute to the Parisian jazz club that the brand\u2019s founders frequented in the 1960s. \u201cCedarwood symbolises the club\u2019s tables, tonka bean mirrors the tobacco, and juniper berries provide the energy of the performances,\u201d says Diptyque CEO Laurence Semichon. The result is complex, a little dark and a lot sexy. If you want an extended jam, light up\u00a0the brand\u2019s small Narguil\u00e9 and Gen\u00e9vrier candles, released as a boxed duo to go with Orph\u00e9on.These join Maison Margiela\u2019s Replica Jazz Club \u2013 also big on vanilla and tobacco, and one of the most duped products on the market \u2013 in the growing pantheon of scents inspired by abstract compositions. Le Labo\u2019s Baie Rose 26\u00a0has lively floral\u00a0aldehyde, musk and pink pepper. Nightclubbing by Celine\u00a0captures an after-dark ambience with notes of nicotine, tree moss and vanilla musk. Upstairs, produced by LA- and London-based brand Discoth\u00e8que, is an ode to the upper lounge of Ronnie Scott\u2019s in Soho. It\u2019s one of the brand\u2019s 10\u00a0dance-inspired candles and goes big on freesia and clove, while\u00a0Chez Castel \u2013 named after the Saint-Germain-des-Pr\u00e9s bo\u00eete where Princess Margaret\u2019s rumoured paramour Robin\u00a0Douglas-Home played jazz piano in the 1960s \u2013 is lemony\u00a0and charged with incense. \u201cHearing a song or smelling\u00a0a fragrance can bring you back to an emotionally charged moment,\u201d says co-founder Jessie Willner.Jazz is about big personalities as well as nightclub mythology. Billie Holiday was a fan of Coty Emeraude (now on eBay as a gorgeously packaged vintage item). German trumpeter Till Br\u00f6nner is loyal to Dior Eau Sauvage, while American bassist Esperanza Spalding is fond of Green Tara Incense because it reminds her of \u201ca slightly sweaty man\u201d. Sadly, Simone saw only a few cents of Chanel money. The mercurial star had already sold her royalty rights for a pittance.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"
Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.The marriage of jazz and fragrance has always proven intoxicating: Nina Simone\u2019s version of \u201cMy Baby Just Cares for\u00a0Me\u201d, which underscored a 1986 advertisement for Chanel\u00a0No5,<\/p>\n","protected":false},"author":1,"featured_media":211225,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":{"0":"post-211224","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture"},"_links":{"self":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/211224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/comments?post=211224"}],"version-history":[{"count":1,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/211224\/revisions"}],"predecessor-version":[{"id":211226,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/211224\/revisions\/211226"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media\/211225"}],"wp:attachment":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media?parent=211224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/categories?post=211224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/tags?post=211224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}