{"id":206650,"date":"2025-02-14T17:15:36","date_gmt":"2025-02-14T17:15:36","guid":{"rendered":"https:\/\/globetimeline.com\/ar\/culture\/rewrite-this-title-in-arabic-richard-dawsons-end-of-the-middle-album-review-ordinariness-dazzles-in-subversive-folk-album\/"},"modified":"2025-02-14T17:15:36","modified_gmt":"2025-02-14T17:15:36","slug":"rewrite-this-title-in-arabic-richard-dawsons-end-of-the-middle-album-review-ordinariness-dazzles-in-subversive-folk-album","status":"publish","type":"post","link":"https:\/\/globetimeline.com\/ar\/culture\/rewrite-this-title-in-arabic-richard-dawsons-end-of-the-middle-album-review-ordinariness-dazzles-in-subversive-folk-album\/","title":{"rendered":"rewrite this title in Arabic Richard Dawson\u2019s End of the Middle album review \u2014 ordinariness dazzles in subversive folk album"},"content":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.The British tradition of observational songwriting goes through the looking glass with Richard Dawson. From his base in Newcastle, where he has been releasing records since the late 2000s, he sings about ordinary people in a rising and falling voice influenced by traditional folk. Songs unfold like shaggy dog stories, while timeframes flip between present and the distant past.His last album, 2022\u2019s The Ruby Cord, pushed his approach to the limits, including an opening track lasting more than 40 minutes. End of the Middle is less extravagantly appointed. Its songs are populated by an everyday assortment of characters: an allotment gardener, the parent of a child in trouble for fighting at school, a dissatisfied shopper at Boxing Day sales.The set-ups are diaristic. \u201cI\u2019m in the hall on the phone,\u201d are the opening words to the album\u2019s first song, \u201cBolt\u201d. But then a lightning strike fills the family home with a bright flash of light, scorching the landline telephone. \u201cIt was only a wrong number,\u201d Dawson, dazed, sings about the call. A humdrum act of chance has become fused with a cosmic bolt from the blue.His lyrics repay attention. He sings them with idiosyncratic phrasing, from a droning plod to high tones touched by wonderment. The music is led by the sturdy strums and meandering melodies of his guitar, with drums shuffling alongside. There are occasional interjections from a scribbling clarinet, like illegible messages from an avant-garde gatecrasher. Intensity picks up at key moments, as when the woman in \u201cGondola\u201d \u2014 who feels her life has slipped away \u2014 tells herself: \u201cI don\u2019t want any more regrets.\u201d She resolves to take her adult daughter to Venice, that most fantastical of cities.The album\u2019s focus on family life and feelings of discontent takes place in a very British setting of budget supermarkets and high streets. But an inspiration is the Japanese director, Yasujir\u014d Ozu. \u201cIsn\u2019t life disappointing?\u201d a character says in Ozu\u2019s masterpiece Tokyo Story. Dawson is too warm-hearted to agree, as the streak of sentimentality in his writing shows, but the question haunts his album.\u2605\u2605\u2605\u2605\u2606 \u2018End of the Middle\u2019 is released by Domino<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.The British tradition of observational songwriting goes through the looking glass with Richard Dawson. From his base in Newcastle, where he has been releasing records since<\/p>\n","protected":false},"author":1,"featured_media":206651,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":{"0":"post-206650","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture"},"_links":{"self":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/206650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/comments?post=206650"}],"version-history":[{"count":1,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/206650\/revisions"}],"predecessor-version":[{"id":206652,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/206650\/revisions\/206652"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media\/206651"}],"wp:attachment":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media?parent=206650"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/categories?post=206650"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/tags?post=206650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}