Summarize this content to 2000 words in 6 paragraphs in Arabic When jewellers gathered to present their latest creations at the Exposition internationale des arts d\u00e9coratifs et industriels modernes, held in pavilions in Paris between April and October 1925, they helped change the face of global design. The event, where 15,000 exhibitors showcased a modern aesthetic in architecture, interior design and decorative arts, was a pivotal moment in \u2014 and later gave its name to \u2014 art deco.A century on, jewels from the period remain sought after by collectors and inspire contemporary designs. And this popularity is only likely to be boosted as the era comes under the spotlight in this centennial year. The Mus\u00e9e des Arts D\u00e9coratifs in Paris will mark the anniversary with a retrospective focusing on the 1925 exhibition and unveil a new layout of its permanent art deco collections.The 1925 exhibition was originally planned for a decade earlier but was postponed because of the first world war. One of its jury members was Louis Cartier, a \u201cpioneer\u201d of art deco who created his first pieces \u201cin that direction\u201d in 1904, notes Pierre Rainero, image, style and heritage director at Cartier.Rainero says Louis Cartier \u2014 whose exhibited pieces included an orchid hair ornament of onyx, diamonds and platinum \u2014 was part of a generation of young creators who wanted to invent something in line with the world of technological advancement and social change around them.The jeweller was not satisfied by art nouveau, says Rainero. \u201cHe is someone who has a huge culture and he cannot imagine that what has been done in the past cannot be mixed [with], or is of a lesser interest than, what has to be invented,\u201d he says. \u201cEverything has its place in the world of Louis Cartier in terms of beauty.\u201dArt deco is a period of many styles and philosophies, which is why Rainero thinks it remains a reference. \u201cIt\u2019s a period when so many things have been explored in many different ways, but also when fundamentals have been proposed like the one[s] of geometry, abstraction, essentiality [and] the systematic curiosity towards other culture,\u201d he says.He adds that Cartier first took structural influences, in terms of geometry and abstraction, from the Islamic world and then Japanese culture. This is evidenced by the exhibition catalogues and books on Islamic art, and katagami (paper stencils used for printing motifs on kimonos), in the French house\u2019s archives.For the new exhibition of Cartier jewels and watches opening at London\u2019s V&A museum on April 12, the promotional image is of an India-inspired Tutti Frutti bandeau. Bought by Lady Mountbatten in 1928, the piece features carved rubies, sapphires and emeralds, and diamonds. Other art deco pieces going on display include an Ancient Egypt-inspired diamond and platinum halo tiara (1934) worn by Begum Aga Khan III.At the European Fine Art Foundation (Tefaf) fair in Maastricht in March, Wartski plans to show a Fouquet jewel linked to the original Paris exhibition. Katherine Purcell, joint managing director of the antique jewellery dealer, says an identical frosted rock crystal mask with diamonds suspended from the chin was conceived by French jeweller Georges Fouquet and his craftsman Louis Fertey for the 1925 event.She thinks the piece was reimagined by Georges\u2019 son Jean in the 1930s into the black-and-white design that survives, with emerald beads that had hung from the ears and chin removed and the diamond cap replaced with a rounded ebony one. \u201cNot only is it interesting to see this as a work of two generations, but it gives you quite an interesting overview as to how art deco itself developed,\u201d Purcell says.The influence of the 1925 exhibition on jewellery is also explored in Paris, City of Pearls at L\u2019\u00c9cole, School of Jewelry Arts, supported by Van Cleef & Arpels, in the French capital until June 1. Co-curator L\u00e9onard Pouy says in the exhibition catalogue that the event was \u201cespecially responsible for boosting the \u2018pearl mania\u2019 that was erupting\u201d in Paris at that time \u2014 and pearls featured prominently in several pavilions.Pouy adds that \u201cbecause of their very geometric roundness and their whiteness, and thanks to the arrival of increasingly large Japanese cultured pearls, they played a central role in the emergence of a new aesthetic\u201d that became known in the 1960s as art deco.The aesthetic endures, as reflected in art deco\u2019s influence on contemporary designers. Athens-based Lito Fine Jewelry\u2019s Paris 1925 collection is inspired by the architecture, jewellery, clothing, furniture, music and colours of the period, and features a ruby and diamond ring and bangle that draw on the form of New York\u2019s art deco Chrysler Building.\u201cArt deco is not just one thing,\u201d says the brand\u2019s founder and designer Lito Karakostanoglou, who listened to 1920s jazz music while working on the line. \u201cIt can be so whimsical and poetic and, at the same time, so structured \u2014 and this is something that I love about it.\u201dIt is the many cultural references of what UK jeweller Rachel Boston calls the \u201crich movement\u201d that have inspired her for more than a decade. She also draws on its geometric lines and step-cut stones in her \u201cmodern deco\u201d designs: the Ida Rubover engagement ring features an emerald-cut central diamond and two baguette-cut diamonds either side.\u201c[Art deco] was so futuristic and forward-thinking at the time of its inception that in a way it\u2019s almost ended up balancing and feeling quite timeless,\u201d says Boston.This timelessness contributes to high demand for original pieces. A Van Cleef & Arpels diamond \u201ctie\u201d necklace (c 1929) fetched $3.6mn, three times the high estimate, at Sotheby\u2019s last June. The more than 160 art deco jewellery lots sold by Phillips between 2019 and the end of November 2024 achieved 152 per cent of their presale low estimates and attracted buyers from 30 countries.Beno\u00eet Repellin, worldwide head of jewellery at Phillips, says exhibitions by houses that show the importance of the art deco period for those brands, and new collections inspired by original jewels, can both help to drive high prices at auction. Boucheron drew inspiration from archival art deco pieces for its Histoire de Style Art D\u00e9co and New Maharajahs high jewellery collections in 2021 and 2022, respectively.Repellin says collectors are drawn by the craftsmanship of jewellery that reflects the \u201cinsouciance\u201d of the Roaring \u201920s. \u201cEven when we look at the movies etc, there is this fascination and attraction to the period that is now the art deco period,\u201d he says. As the era becomes a point of focus this year, collectors\u2019 interest is likely to be piqued further.<\/p>\n","protected":false},"excerpt":{"rendered":"
Summarize this content to 2000 words in 6 paragraphs in Arabic When jewellers gathered to present their latest creations at the Exposition internationale des arts d\u00e9coratifs et industriels modernes, held in pavilions in Paris between April and October 1925, they helped change the face of global design. The event, where 15,000 exhibitors showcased a modern<\/p>\n","protected":false},"author":1,"featured_media":178349,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":{"0":"post-178348","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture"},"_links":{"self":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/178348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/comments?post=178348"}],"version-history":[{"count":1,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/178348\/revisions"}],"predecessor-version":[{"id":178350,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/178348\/revisions\/178350"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media\/178349"}],"wp:attachment":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media?parent=178348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/categories?post=178348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/tags?post=178348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}