{"id":176155,"date":"2025-01-22T15:04:22","date_gmt":"2025-01-22T15:04:22","guid":{"rendered":"https:\/\/globetimeline.com\/ar\/culture\/rewrite-this-title-in-arabic-samba-toure-baarakelaw-album-review-a-rhythmic-tribute-to-bamakos-workers\/"},"modified":"2025-01-22T15:04:23","modified_gmt":"2025-01-22T15:04:23","slug":"rewrite-this-title-in-arabic-samba-toure-baarakelaw-album-review-a-rhythmic-tribute-to-bamakos-workers","status":"publish","type":"post","link":"https:\/\/globetimeline.com\/ar\/culture\/rewrite-this-title-in-arabic-samba-toure-baarakelaw-album-review-a-rhythmic-tribute-to-bamakos-workers\/","title":{"rendered":"rewrite this title in Arabic Samba Toure\u0301: Baarakelaw album review \u2014 a rhythmic tribute to Bamako\u2019s workers"},"content":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.For his last few albums Samba Toure\u0301 has examined the state of Mali in the wake of the political crisis of the early 2010s and found it wanting. \u201cLiars, thieves\u201d, he commanded, \u201cget off our road.\u201d His new album Baarakelaw homes in on the informal workers of Bamako and paints a more specific social-realist portrait; a griot hymning the praises of the low-income members of society rather than the privileged. Fittingly, it was recorded in humble circumstances. Working under the capital\u2019s ongoing electricity shortages, the musicians dashed across town to the house of Toure\u0301\u2019s manager whenever there was a gap in the blackouts and laid down tracks quickly and roughly. This spontaneity shines through, and although producer Mark Mulholland later added unnecessary banjo, organ and drums when he mixed the tapes in France, the album has the immediacy of a street recording.Toure\u0301 was a prot\u00e9g\u00e9 and bandmate of the desert blues maestro Ali Farka Toure\u0301, although his songs are decidedly acoustic in tone and his singing sweeter. But he has the same love of a repeated riff: \u201cPaasekaw\u201d, a tribute in Songhoy to the blanchisseurs who iron clothes on an industrial scale, mimics their actions with a guitar pattern sweeping back and forth. Similarly, the syncopated percussion and guitar ostinatos on the Bambara-language \u201cFini Gochila\u201d echo the movements of the bazin-tappers, who create shiny fabrics by repeatedly hitting starched cloth.Elsewhere songs pay homage to street water-sellers (\u201cAminako\u201d, where call-and-response verses resemble sales cries), to shea butter co-operatives (\u201cBoulanga\u201d, with Toure\u0301 singing at the bottom of his range to harmonica from Matt de Harp) and the pousse-pousseurs who keep Bamako\u2019s logistics running on handcarts (the measured tread of \u201cWotoro Pousselaw\u201d).The closing \u201cYerkomahine\u201d is a sad, grateful song to Toure\u0301\u2019s late wife, thanking her for a lifetime of work and love.\u2605\u2605\u2605\u2605\u2606\u2018Baarakelaw\u2019 is released by Glitterbeat\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.For his last few albums Samba Toure\u0301 has examined the state of Mali in the wake of the political crisis of the early 2010s and found<\/p>\n","protected":false},"author":1,"featured_media":176156,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":{"0":"post-176155","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture"},"_links":{"self":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/176155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/comments?post=176155"}],"version-history":[{"count":1,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/176155\/revisions"}],"predecessor-version":[{"id":176157,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/176155\/revisions\/176157"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media\/176156"}],"wp:attachment":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media?parent=176155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/categories?post=176155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/tags?post=176155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}