Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.The below extract is from The Face in the Well, the third collection from Suffolk-born poet Rebecca Watts. The poems in her new book hop between eras and memories, and display \u2014 like all of this accomplished poet\u2019s verse \u2014 an acute perceptiveness rendered playful with imagination, wit and warmth.\u2018The Young Comedian Enrols at Clown School\u2019At Clown School her face and her long limbsare her five best assets. When the coach saysTake Up Space she eats the airlike it\u2019s Angel Delight, scooping its pinkpeaks into her arms. She can do Small too,like a wormeast on the beach at low tide,and she can do Frog,which is wider than Jack-in-the-Box.Bravo! This kind of workdischarges from the soul; it can\u2019t be put back.Back at real school her teachers are fit to burst.You can wipe that look off your face right now,one of them swipes, as she sinks into the seatwearing her best Hangdog, chin tucked, brow knitted,bottom lip stuck out. She\u2019s under his skin,and she\u2019d better get used to itbecause its going to be the same all her life.Even when she\u2019s got a proper job there\u2019ll be peoplewho\u2019ll want to prevent her from shimmeringlike moonlight on the sea;who\u2019ll want to blot out the moon entirely,finding her mute presence too strong,her round face too expressive.From \u2018The Face in the Well\u2019 (Carcanet, \u00a311.99; to be published in the US in March)<\/p>\n","protected":false},"excerpt":{"rendered":"
Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.The below extract is from The Face in the Well, the third collection from Suffolk-born poet Rebecca Watts. The poems in her new book hop between<\/p>\n","protected":false},"author":1,"featured_media":161617,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":{"0":"post-161616","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture"},"_links":{"self":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/161616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/comments?post=161616"}],"version-history":[{"count":1,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/161616\/revisions"}],"predecessor-version":[{"id":161618,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/161616\/revisions\/161618"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media\/161617"}],"wp:attachment":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media?parent=161616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/categories?post=161616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/tags?post=161616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}