Summarize this content to 2000 words in 6 paragraphs in Arabic The drive to Danish gallery owner Tina Seidenfaden Busck\u2019s home in Taarb\u00e6k, a quaint former fishing village 20 minutes north of Copenhagen, takes you on a whistlestop tour through some of\u00a0Arne Jacobsen\u2019s most iconic modernist landmarks. There\u2019s the Bellevue Theatre; the Lego-like Bellavista housing estate; a futuristic-looking petrol station with a mushroom-shaped concrete awning: sleek, geometric buildings that have set the tone for much of contemporary Danish design.Yet entering Busck\u2019s maximalist 19th-century cottage jolts you into another design world \u2013 one where juxtaposing prints and textures happily commingle, and colourful walls are clustered with artworks, vintage tapestries and one-of-a-kind objets sourced from her travels. \u201cI\u2019m very much inspired by homes where you can tell who lives there,\u201d she says. Wearing an embroidered red-and-white striped Mexican kaftan and Venetian slippers, her fingers and wrists adorned with boho-style gold jewellery, Busck is welcoming, radiating a relaxed and unpretentious charm. \u201cWhether it\u2019s to my taste or not, I like when a home\u00a0tells the story of the people.\u201dBusck\u2019s eclectic, lived-in interiors style will come as no surprise to anyone familiar with The Apartment, the Copenhagen design gallery and showroom she founded in 2011 in the 18th-century townhouse in Christianshavn where she and her family previously resided. Curated to feel like a private residence, it was one of the first to pioneer the much-copied \u201cshop the home\u201d retail concept where everything from the rugs to the lighting and the crockery are for sale, and has become renowned among design aficionados and vintage lovers for its revolving edit of antiques and artisanal pieces. Here, handwoven 1950s rugs by the Swedish textile artist M\u00e4rta M\u00e5\u00e5s-Fjetterstr\u00f6m (POA) and 19th-century American patchwork quilts (from \u20ac1,642) are sold alongside Kalmar Werkst\u00e4tten\u2019s brass lamps (from \u20ac1,889), handpainted glassware by Viennese maker J & L Lobmeyr (\u20ac821) and Portuguese ceramic hanging platters (\u20ac2,463).The edit is filtered through Busck\u2019s exacting eye, trained at Sotheby\u2019s, where she worked for more than 10 years, followed by Andersen\u2019s Contemporary in Copenhagen, where she represented artists such as Olafur Eliasson and Tom\u00e1s Saraceno.\u00a0\u201cI love to travel and search for new artists and crafts, whether it\u2019s Greek textiles or folk art,\u201d she says. Realising that she didn\u2019t want to be a traditional gallerist (\u201clooking after artists was quite demanding,\u201d she admits), she began advising private clients on buying art and furniture, and came up with the idea for a hybrid gallery where she could bring her moodboards to life.\u201cThe main design galleries in Denmark were very much focusing on Danish modern [design], and I realised that a lot\u00a0of the pieces I was suggesting were things you couldn\u2019t\u00a0find in Copenhagen,\u201d says Busck, who has exhibited international designers and makers such as Ilse Crawford, McCollin Bryan and Michael Anastassiades alongside\u00a0handpicked vintage treasures from her globetrotting expeditions. \u201cI think what defines The Apartment is that it\u2019s not specialised in anything,\u201d says Busck. \u201cIt\u2019s really about craftsmanship.\u201dAmong the roster of artisans Busck currently represents at the gallery-store is the American editor-turned-maker Deborah Needleman, who has been weaving baskets from willow and rush at her upstate New York studio since 2018. \u201cI love that while Tina\u2019s eye is deeply educated and sophisticated, she chooses to deploy it to create spaces that are simple and fresh, and full of the vitality that comes from handcrafted objects, rather than\u00a0using it to make rooms that are pretentious or beholden to provenance,\u201d says Needleman. \u201cOf course, she is well-versed in the history of design, art and the decorative arts, but she uses her connoisseurship to lavish attention on objects that speak to her, and which often have a naive beauty and a reverence for nature.\u201dBusck and her husband Mathias, a property developer, moved into the two-storey house, believed originally to have been built as a summer residence for an heiress of the Carlsberg brewery, with their three children in 2019 and lived in it for almost four years before embarking on a\u00a0year-long restoration. \u201cThe house had a really nice, cosy atmosphere but it consisted of many small rooms, some of which we never used,\u201d says Busck, who moved the entrance, installed a new mustard-yellow timber staircase and converted three small rooms into an open-plan kitchen with brushed-steel worktops, an antique Delft tile splashback behind the hob and interior windows.\u201cMathias and I complemented each other really well because he\u2019s into all those details like Bakelite switches and glass partition walls, whereas I\u2019m already thinking about the wallpaper and the textiles,\u201d laughs Busck. Her\u00a0penchant for chintz and tactile furnishings is apparent at every turn, from the cosy reading nook piled\u00a0high with cushions in Carolina Irving\u2019s vibrant textiles to the pointillist-like sitting room with its custard-and-green botanical print wallpaper and candy-striped\u00a0sofa. \u201cWhen we lived in Christianshavn, most of\u00a0the walls were\u00a0painted, so here I just couldn\u2019t stop myself,\u201d\u00a0says Busck of her weakness for wallpaper, which\u00a0lines\u00a0numerous walls of the house. \u201cI love the tactility\u00a0of it and how old-fashioned it is. I just think it decorates a room in a different way.\u201dArt is a clear passion, with her\u00a0tastes skewing towards kaleidoscopic prints and abstract, textural works. In the kitchen, a prismatic light piece by Olafur Eliasson and a sculpture of colourful crayons encased in Plexiglas by Arman sit alongside vintage ceramic hanging platters and framed tapestries by M\u00e4rta M\u00e5\u00e5s-Fjetterstr\u00f6m, while one of Isabella Ducrot\u2019s hand-stitched paper collages adorns the sitting-room wall. \u201cI\u2019m really fascinated by her,\u201d says Busck of the 93-year-old Rome-based artist. \u201cIt was only in her 50s that she started to focus on her art and find her voice and stop caring about how people saw her, and now she\u2019s doing major solo exhibitions and writing books.\u201dShe attributes her love of art and collecting to her father, who would take her to museums and auction houses as a child growing up in Copenhagen. \u201cWe would play this game where I had to guess who the painting was\u00a0by,\u201d she recalls. \u201cHe was always so enthusiastic when he discovered a new artist, and he had a great eye. He was always mixing things and colours \u2013 there were no rules, and I think that\u2019s something I\u2019ve brought to my work.\u201d \u00a0 Knick-knacks from The Apartment are strewn around the house, from a pot of Bronx-based artist Livia Cetti\u2019s handmade paper geraniums (from \u20ac356) and Jean Roger\u2019s ceramic candlesticks (\u20ac342) to Needleman\u2019s hand-woven baskets (from \u20ac300) and enamelled 18th-century glass bottles (\u20ac1,095 for a pair). \u201cI really try to make sure that all the things I have in\u00a0The Apartment are things that I would live with myself,\u201d Busck says. \u201cIf I\u2019m in doubt, I always think, \u2018Would I bring this to my home?\u2019 And if it doesn\u2019t pass the test, it doesn\u2019t go in.\u201d Though most surfaces have been filled with trinkets and decorative objets, everything feels considered. \u201cI like to use things \u2013 they\u2019re not just for show,\u201d says Busck. \u201cThat\u2019s probably why I love baskets,\u00a0 because they have been used for centuries and are so universal but can still be beautiful objects.\u201dShe continues through to her \u201cfavourite room\u201d, the laundry room, which has been adorned in delicate blueberry-print wallpaper from Antoinette Poisson. \u201cI have a real soft spot for textiles and folk art,\u201d she says, gesturing to the vintage Japanese wrapping cloth on the wall and the antique cabinet filled with variously patterned fabrics. \u201cMy kids were like, \u2018Why don\u2019t you just have the laundry room down in the basement?\u2019, but I told them that as long as I\u2019m doing the laundry, I need light,\u201d she says. \u201cI spend a lot of time here, and I think that is what a home is all about, having nice places in which to do the daily chores.\u201dHer bedroom is an oasis of calm, with a balcony looking onto the sea, soft-blue and ditsy floral furnishings and a recessed bookcase she designed with the architect Salem Charabi. \u201cWe can be up here reading for hours,\u201d she says, \u201cand in the wintertime you have the view of all these small houses lit up, and it just looks so cosy.\u201dShe leads me through to the adjoining dressing room, where mounted rails are lined with colourful patchwork jackets, striped and polkadot shirts and vintage dresses festooned with buds. \u201cYou will not find many black pieces in there,\u201d she laughs. Bohemian beaded necklaces hang off hooks on the walls like baubles, with everything\u00a0designed to be immediately grabbable. \u201cI\u2019m a bit impatient, so I want getting dressed to be quick and easy,\u201d she says. \u201cI also feel like I wear my clothes in a different way, because I can see everything and it makes it\u00a0easier to mix and match things\u201d.\u00a0Much like her approach to dressing, her interiors are intuitive and emotional, unbound by rules and masterfully flitting between different styles and influences. \u201cI believe that when you follow your heart and buy things that you\u00a0like, they somehow come together,\u201d she says. \u201cIt\u2019s the mix\u00a0that makes a home interesting.\u201d\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"
Summarize this content to 2000 words in 6 paragraphs in Arabic The drive to Danish gallery owner Tina Seidenfaden Busck\u2019s home in Taarb\u00e6k, a quaint former fishing village 20 minutes north of Copenhagen, takes you on a whistlestop tour through some of\u00a0Arne Jacobsen\u2019s most iconic modernist landmarks. There\u2019s the Bellevue Theatre; the Lego-like Bellavista housing<\/p>\n","protected":false},"author":1,"featured_media":157058,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":{"0":"post-157057","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture"},"_links":{"self":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/157057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/comments?post=157057"}],"version-history":[{"count":1,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/157057\/revisions"}],"predecessor-version":[{"id":157059,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/157057\/revisions\/157059"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media\/157058"}],"wp:attachment":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media?parent=157057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/categories?post=157057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/tags?post=157057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}