Summarize this content to 2000 words in 6 paragraphs in Arabic Just one month after Donald Trump\u2019s re-election as US president, the 22nd edition of Art Basel Miami Beach could prove a microcosm of a politically divided country. \u201cIt is an incredibly pivotal moment and an interesting time to be having the fair,\u201d says Bridget Finn, its new director. \u201cI\u2019m sure that artists and gallerists will approach it in unique ways.\u201dExhibitor Christiana Ine-Kimba Boyle, partner and co-owner of New York gallery Canada, sums up the widely different reactions within the art world. \u201cLots of artists are feeling downtrodden and are still trying to make sense of [Trump\u2019s re-election], while collectors feel a bit grounded now, more protected in terms of their finances. So they are more open to spending, which should at least support the artists.\u201dWhile Floridians voted decisively for the Republican party, there will be plenty of art within the fair that goes against Trump\u2019s politics. These include works that address climate change, LGBTQ+ rights, immigration and feminism.Meridians, the section of the fair for large-scale art, includes a work featured in Peru\u2019s pavilion at this year\u2019s Venice Biennale: Roberto Huarcaya\u2019s \u201cAmazogramas\u201d series (2014-24), including a three-metre-long photogram \u2014 a process that exposes paper to light without using a camera \u2014 highlighting the precarious environment of the rainforest (Rolf Art Gallery, $160,000). I\u2019ll be looking for Trump-related commentary \u2014 though please no images of him\u2019Elsewhere in this section, PPOW brings Portia Munson\u2019s \u201cBound Angel\u201d (2021), an installation of bound everyday objects displayed on a wedding dress to present restrictive ideals of femininity ($200,000). The work, \u201ccan be immediately understood as a powerful commentary on the rampant misogyny that has resurfaced in the US,\u201d says gallery co-founder Wendy Olsoff.Boyle describes Canada gallery\u2019s mixed-artist booth in the fair\u2019s main section as a \u201ccelebration of a multitude of diverse voices \u2014 artists who identify as cis-gender, non-binary, queer, of colour, or a wide combination of these listed identities.\u201d They include Katherine Bradford, Xylor Jane and Joan Snyder.Previously unseen sculptures and paintings by the late Indonesian artist I Gusti Ayu Kadek Murniasih, which confront the autonomy of the female body and female pleasure, will be on display in the Survey sector through Gajah Gallery (S$9,700\u2013S$110,000; \u00a35,731\u2013\u00a364,994). New York\u2019s Kasmin gallery is showing a gestural charcoal by feminist artist Judith Bernstein (\u201cSignature\u201d, 1995\u20132007, $35,000).\u00a0The good news for galleries is that interest in such works in high among the international and coastal collecting community. \u201cI\u2019ll be looking for Trump-related commentary \u2014 though please no images of him \u2014 more works that address things like what \u2018Maga\u2019 actually means, where are we going?\u201d says New York collector Kim Manocherian. Italian collector Patrizia Sandretto Re Rebaudengo, who runs a private museum in Turin, says that \u201cIt isn\u2019t an easy moment, all over the world, and I will absolutely make sure to find work [in Miami] that addresses the current political climate.\u201dAs the US continues its political realignment, the art market has its own issues to address. Art Basel\u2019s Finn, a former gallerist, is acutely aware that her fair comes at the end of a difficult year during which even New York \u2014 the most active and largest art trade hub \u2014 has experienced gallery closures and disappointing auction results. At the moment, \u201chelping galleries to reach a larger audience is key,\u201d she says. \u201cI\u2019ve tried to listen as much as I could to their feedback and to think about strategies to help them.\u201dOne result is that Art Basel has rolled out the option of smaller booth sizes to its main sector exhibitors. This year\u2019s fair has 34 new entrants among its total of 283, with 13 taking up the smaller booth option. Charles Moffett starts in the Nova section for new work brought by young galleries \u2014 where a 36 sq metre booth costs around $24,500. He brings a joint presentation by gallery artist Kim Dacres, who works with discarded rubber tyres (price range $7,000\u2013$35,000), and Melissa Joseph, who uses felt ($10,000\u2013$25,000), including a work they have made together. \u201cThey are good friends,\u201d he says, \u201cand we want their work to be in cohesive conversation.\u201dUltimately, Finn says, whatever the political climate, \u201canything we can do to expedite people making sales is a priority\u201d. Nerves might be jangling more than usual this year, but so far, so good at the leading US fair, says Nicholas Olney, president of Kasmin gallery. \u201cThe timing is good \u2014 it comes at the end of the year, when lots of collectors have clarity about their finances and just now the fundamentals of the economy are good. Whatever people feel about it, we have got past an election that had sucked up a lot of our headspace and we\u2019ll have to see what the next four years bring. For now, it\u2019s time to get to business.\u201dArt Basel Miami Beach, December 6 \u2013 8, 2024 <\/p>\n","protected":false},"excerpt":{"rendered":"
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