{"id":13379,"date":"2024-04-12T07:03:10","date_gmt":"2024-04-12T07:03:10","guid":{"rendered":"https:\/\/globeecho.com\/ar\/%d8%b3%d9%84%d8%b3%d9%84%d8%a9-%d8%a7%d9%84%d8%aa%d8%b5%d9%85%d9%8a%d9%85-%d8%a7%d9%84%d8%b9%d8%b1%d8%a8%d9%8a%d8%a9-%d8%a3%d8%b2%d9%8a%d8%a7%d8%a1-%d8%b4%d9%8a%d8%b7%d8%a7%d9%86%d8%a9-%d8%aa%d8%b1\/"},"modified":"2024-04-12T07:03:11","modified_gmt":"2024-04-12T07:03:11","slug":"%d8%b3%d9%84%d8%b3%d9%84%d8%a9-%d8%a7%d9%84%d8%aa%d8%b5%d9%85%d9%8a%d9%85-%d8%a7%d9%84%d8%b9%d8%b1%d8%a8%d9%8a%d8%a9-%d8%a3%d8%b2%d9%8a%d8%a7%d8%a1-%d8%b4%d9%8a%d8%b7%d8%a7%d9%86%d8%a9-%d8%aa%d8%b1","status":"publish","type":"post","link":"https:\/\/globetimeline.com\/ar\/culture\/%d8%b3%d9%84%d8%b3%d9%84%d8%a9-%d8%a7%d9%84%d8%aa%d8%b5%d9%85%d9%8a%d9%85-%d8%a7%d9%84%d8%b9%d8%b1%d8%a8%d9%8a%d8%a9-%d8%a3%d8%b2%d9%8a%d8%a7%d8%a1-%d8%b4%d9%8a%d8%b7%d8%a7%d9%86%d8%a9-%d8%aa%d8%b1\/","title":{"rendered":"\u0633\u0644\u0633\u0644\u0629 \u0627\u0644\u062a\u0635\u0645\u064a\u0645 \u0627\u0644\u0639\u0631\u0628\u064a\u0629: \u0623\u0632\u064a\u0627\u0621 &#8216;\u0634\u064a\u0637\u0627\u0646\u0629 \u062a\u0631\u062a\u062f\u064a \u0628\u0631\u0627\u062f\u0627&#8217;"},"content":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic For the third episode in our design series, we\u2019re talking fashion design through the lens of the 2006 classic The Devil Wears Prada. The film is having a moment on the internet. We\u2019re here to revisit it with fresh eyes, and with two experts in fashion: Jo Ellison, the editor of our luxury magazine HTSI, and Rob Armstrong, our men\u2019s style columnist (OK, he\u2019s also our US financial columnist). The film stars Meryl Streep as a powerful magazine editor based on Anna Wintour, and Anne Hathaway as a young, idealistic journalist who becomes her assistant. It\u2019s a Y2K fairy tale about the fashion industry, magazine politics and power. How accurate was the film about fashion then, and why is it still resonating now?&#8212;&#8212;-We love hearing from you. Lilah is on Instagram @lilahrap and we\u2019re on X @lifeandartpod. You can email us at lifeandart@ft.com. We are grateful for reviews, on Apple, Spotify, etc.&#8212;&#8212;-Links (all FT links get you past the paywall): \u2013 The Devil Wears Prada is available on Netflix and Disney+ in the UK, and HBO\/Max and Hulu in the US.\u2013 Rob wrote his most recent fashion column about power dressing in The Devil Wears Prada: https:\/\/on.ft.com\/4cS25Yr \u2013 Jo recently interviewed the actor Cillian Murphy. Read the interview here: https:\/\/on.ft.com\/3vOnCRi \u2013 You can follow Jo Ellison on Instagram @jellison22 and on X @jellison. Rob is on X @rbrtrmstrng.\u2013 Rob recommends the late Andr\u00e9 Leon Talley\u2019s book The Chiffon Trenches. You can read the FT review here. More or Less recommendations:\u2013 Rob wants to see more womens\u2019 college basketball. This FT piece is on how star Caitlin Clark is changing women\u2019s sport: https:\/\/on.ft.com\/3Jbfehw \u2013 Lilah recommends the Apple TV documentary, \u2018Steve! (Martin) A Documentary\u2019. You can read Rob\u2019s interview with Martin here: https:\/\/on.ft.com\/440txzm &#8212;&#8211;The FT Weekend Festival is coming back, and will be in Washington, DC, on May 4! Speakers include Nancy Pelosi, Jo, Rob and Lilah! To book tickets, go to ft.com\/festival-us and use our exclusive discount code: weekendpodcast. Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1\/\u00a31\/\u20ac1 trial, are here: http:\/\/ft.com\/lifeandart\u2014Clips this week are from 20th Century StudiosRead a transcript of this episode on FT.comView our accessibility guide.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic For the third episode in our design series, we\u2019re talking fashion design through the lens of the 2006 classic The Devil Wears Prada. The film is having a moment on the internet. We\u2019re here to revisit it with fresh eyes, and with two experts<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":{"0":"post-13379","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-culture"},"_links":{"self":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/13379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/comments?post=13379"}],"version-history":[{"count":1,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/13379\/revisions"}],"predecessor-version":[{"id":13380,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/13379\/revisions\/13380"}],"wp:attachment":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media?parent=13379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/categories?post=13379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/tags?post=13379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}