{"id":118141,"date":"2024-06-12T04:31:42","date_gmt":"2024-06-12T04:31:42","guid":{"rendered":"https:\/\/globeecho.com\/ar\/culture\/rewrite-this-title-in-arabic-lankum-live-in-dublin-album-review-an-out-of-this-world-experience\/"},"modified":"2024-06-12T04:31:43","modified_gmt":"2024-06-12T04:31:43","slug":"rewrite-this-title-in-arabic-lankum-live-in-dublin-album-review-an-out-of-this-world-experience","status":"publish","type":"post","link":"https:\/\/globetimeline.com\/ar\/culture\/rewrite-this-title-in-arabic-lankum-live-in-dublin-album-review-an-out-of-this-world-experience\/","title":{"rendered":"rewrite this title in Arabic Lankum: Live in Dublin album review \u2014 an out of this world experience"},"content":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.The Lankum Industrial Complex is producing at peak capacity at the moment \u2014 from Cormac MacDiarmada playing with the female vocal quartet Landless to Radie Peat singing with the doomy folk group \u00d8XN to Ian Lynch soundtracking the horror film All You Need is Death.So it\u2019s a surprise to have a release from the actual band, albeit a live album culled from three nights last May at Dublin\u2019s Vicar Street, their home from home. \u201cThis is very, very serious business, a very complex and involved ritual,\u201d Ian Lynch tells a whooping crowd. \u201cWhat we\u2019re trying to do is rend a ginormous tear in the very fabric of space and time itself.\u201dAny attempt to rip the veil of existence could do worse than to feature Lankum, whose aesthetic is Cthulhu-on-craic, with shuddering bass moans and invocations that subside into contemplations of the infinite. The songs are appreciably longer than their recorded versions. \u201cGo Dig My Grave\u201d begins with Peat singing a cappella: \u201cGo tell this world,\u201d she keens, \u201cthat I died for love\u2009.\u2009. .\u201d After a verse or two, she is joined by arbitrary plucked and struck notes from her bandmates, as if other inhabitants of the Bardo were offering welcome \u2014 or a threat. As she stops singing, after four minutes or so, a gong splashes, introducing seven minutes of instrumental coda; strings trace a slow siren glissando and there\u2019s an organ wash like the shine of a crazy diamond. At the end of the song, a single note is held for a couple of minutes. Vicar Street holds about 1,500 people; it feels as every one of them is holding their breath.\u201cThe Pride of Petravore\u201d transitions from slow-moving bowed guitar to pipes \u2014 and then, at the end, unexpectedly, we hear a chorus belted out from Sting\u2019s \u201cWe Work the Black Seam\u201d. Elsewhere, there\u2019s a bleak reading of \u201cHunting the Wren\u201d, the concert favourite \u201cThe Rocky Road to Dublin\u201d, finally captured on record, and a wheezing final rush through \u201cBear Creek\u201d.\u2605\u2605\u2605\u2605\u2606\u2018Live in Dublin\u2019 is released by Rough Trade\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Summarize this content to 2000 words in 6 paragraphs in Arabic Unlock the Editor\u2019s Digest for freeRoula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.The Lankum Industrial Complex is producing at peak capacity at the moment \u2014 from Cormac MacDiarmada playing with the female vocal quartet Landless to Radie Peat<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":{"0":"post-118141","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-culture"},"_links":{"self":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/118141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/comments?post=118141"}],"version-history":[{"count":1,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/118141\/revisions"}],"predecessor-version":[{"id":118142,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/posts\/118141\/revisions\/118142"}],"wp:attachment":[{"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/media?parent=118141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/categories?post=118141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globetimeline.com\/ar\/wp-json\/wp\/v2\/tags?post=118141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}